Tuesday, 29 April 2014

"It Was All a Publicity Stunt,We Played the Media"-Psquare's Publicist ...

Just when we thought this chapter was closed, it's re-opened. Psquare's Publicist, Bayo Adepetu spoke to Icon Weekly magazine where he explained the reason behind the breakup reports

Greetings, Bayo, we heard that the Okoye brothers have finally reconciled, can you give us an insight on what really happened?
After a long laugh… My brother, I’m telling you this as a friend, there was

Wait, people can have sex in the first class section of a commercial plane?


I just read Chrissy Teijen's interview today and I was like...wait, what? According to the model, she and her husband, John Legend, once had

Monday, 28 April 2014

Nigerian Idol 12 Finalists Are Not True Reflection Of Talents—Nneka Opens Up

Nigerian international music act, Nneka Egbuna, who is currently one of the judges at the ongoing Nigerian Idol season 4, has expressed her dissatisfaction over the contestants that made the top 12.
According to the conscious artiste, she stated that the current top 12 finalists

I Like My Skin The Way God Made It—Actress Accused Of Bleaching, Thelma O’khaz Speaks

Some months ago, the blogosphere was boiling with the news reports that Nollywood actress-cum-singer, Thelma O'Khaz bleached her skin. This rumour came after her supposedly 'before and after' picture hit the internet, which showed a sharp contrast of her skin colour.
She was lambasted for that and many thought she may have used a bleaching skin to change her skin colour from chocolate to 'white'.
In a chat with Nigeriafilms.com, Thelma explained to us that

I was Rejected Because of My Highlife Style……Flavour

Nigeria's popular highlife star Chinedu Okoli better known as Flavour, might not have made mistake of running away from home after all; because what he had passion for is actually putting food on his table and enabling him to show care to others.
Flavour speaking about his

Who Should Pay For The Date, The Man Or Woman?

We all know that it's usually the guy who pays whenever he takes his companion out. But the question is, who really should pay for the date?
Recall that some girls get

Vice President Sambo's Brother Killed In Auto Crash

SAN FRANCISCO, April 27, (THEWILL) â€' Captain Yusuf Sambo, Vice President Namadi Sambo’s immediate younger brother was killed in a fatal car crash along the Abuja Airport Road on Sunday.

Half of a Yellow Sun film delayed by Nigeria censors

 
Director Biyi Bandele (l) and author Chimamanda Ngozi Adichie recently attended the premiere in Lagos
  
Nigeria's film board has delayed the release of Half of a Yellow Sun, a film about the Biafran war.


The film, by Nigerian-born British director Biyi Bandele, was set to open in Nigerian cinemas on Friday.
A film board spokesman told AFP there were "regulatory issues" with the film but that it wasn't "officially banned".
The film is based on a novel by Chimamanda Ngozi Adichie about the

Friday, 25 April 2014

LUPITA NYONG NAMED THE MOST BEAUTIFUL WOMAN IN THE WORLD.


People magazine has placed the award winning. 12years A slave actor at the top of it anual poll continuing a remarkable year for the star. Having starred in a miu miu campaign and been signed up as the face of lancome within the past 3month. Her Fashion ascent has been dizzying and keeps going on and on, thanks for many offers from designers and now has been declare the MOST BEAUTIFUL in the world.

  This award has only been given to women of color three times since it was launched in

Tuesday, 22 April 2014

THE TROJAN WAR

A generation before the Trojan War, two brothers, Atreus and Thyestes, contended for the throne of Argos. Thyestes seduced his brother's wife and was driven out of Argos by Atreus, who then established himself as sole king. Eventually Thyestes returned and asked to be forgiven. Atreus pretended to be reconciled with his

The Future Of The Nigerian Makeup Industry

The makeup industry in Nigeria has evolved over the past few years. We know the likes of Banke Meshida-Lawal (BMPro), Tara Fela Durotoye (HOTI), Ewar, LISE, etc. However, there are a few

SIMPLE BUT ITS THE SECRET! WHY NOT BUILD UP IN IT?


Friday, 18 April 2014

'Stop Answering Governors & Concentrate' - National Conference Delegate To Jonathan

President of the Court of Appeal and a delegate representing Katsina State at the National conference, Justice Mamman Nasir has called on President Jonathan to desist from exchanging words with state governors. Speaking on Wednesday at the confab while raising a motion of national interest, Justice Nasir said Jonathan should see himself as a leader and be able to swallow insults from opposition, while also advising him to focus

Tuesday, 15 April 2014

Abuja bomb blast: PDP accuses APC of culpability

The Peoples Democratic Party on Monday accused the opposition All Progressives Party of culpability in the bomb blast which killed over 70 people in Nyanya, Abuja,

Monday, 14 April 2014

Akpabio: Why Jonathan Must Re-contest in 2015

Akwa Ibom State Governor, Chief Godswill Akpabio Akwa Ibom State Governor, Chief Godswill Akpabio, has re-echoed the call on President Goodluck Jonathan by the South-east governors to re-contest the 2015 general election. Akpabio said the call was anchored on the need for Jonathan to complete and inaugurate the second Niger Bridge. Akp

Saturday, 12 April 2014

Redeemed Church Ends 100 Days Fasting

The 100 days of fasting and prayer programme embarked upon by the members of the Redeemed Christian Church of God, RCCG, comes to an end Friday with three hours of praises and worship in all the Provincial Headquarters of the church worldwide. The praises and worship is expected to start at 6.00 p.m. and ends at 9.00 p.m
The General Overseer of the church, Pastor Enoch Adejare Adeboye declared a 100-day fasting and prayer for all the members of the church at the beginning of this year. The fasting and prayer commenced on 2 January, 2014. At the beginning of the fasting, Pastor Adeboye told the congregation that if any member could fast for 14

‘Why I Killed My Husband, 3 Others With Rat Poison’

A child bride in Kano State, northwest Nigeria, has told the police why she killed her husband and three of his friends by lacing their meal with rat poison. She said it was because she was forced to marry the man she did not love. According to the Daily Mail, Wasila Umaru, 14, was married last week to 35-year-old Umaru Sani, according to assistant superintendent Musa Magaji Majia.

Lagos Polytecnic Scraps Satellite Campuses

The Lagos State Polytechnic, LASPOTECH, would be closing all its satellite campuses across the country by 2015. This was disclosed by the Rector of the polytechnic, Dr. Abdulazeez Abioye Lawal, at the 22nd convocation ceremony of the institution held at its permanent site in Ikorodu, Lagos State, southwest Nigeria. A record 14,920 students, the highest since the inception of the school in 1977, graduated Thursday.
According to the Rector, this became necessary owing to the directive of National Board for Technical Education(NBTE) that the Polytechnic should close all its annexes by 2015. “This had necessiated the mopping up of all outstanding results, so that students with outstanding courses could retake them within the grace period given by the NBTE,” he said.

21 distinct facial expressions we make

facial expressions depicting various emotions U.S. researchers said they have identified 21 distinct facial expressions that could be used to track the origins of emotions in the human brain. Aleix Martinez, a Cognitive Scientist and Computer Engineering at Ohio State University said

UEFA clears Courtois to play against Chelsea in Champions League tie against Atletico

UEFA clears on-loan Thibaut Courtois to play against parent club, Chelsea
Thibaut Courtois has been given the all clear to face Chelsea after UEFA warned the Blues that their demand of £5million from Atletico Madrid

2face Acquires Customized Mic

Music superstar, 2face Idibia recently acquired the customized microphone that was specially designed for him by luxury designer, Malivelihood. The pimped up mic, as referred to by 2face, has the inscription ‘2 Baba’.
After years of working

Chiwetel Ejiofor: ‘I’m proud to be a Nigerian’

A London-born Nigerian Hollywood star, Chiwetel Ejiofor, on Friday said he was proud to be identified as a Nigerian. Ejiofor said this in Lagos at the premiere of a movie “Half of a Yellow Sun’’ based on a novel written by a Nigerian novelist, Chimamanda Adichie. He said

Friday, 11 April 2014

Police, Civil Defense, Exchange Blows At Enugu Stadium During President Jonathan’s Visit

It was a shocking display of inter-agency tensions that surfaced during President Goodluck Jonathan’s visit to Enugu
Some members of the Nigerian Security and Civil Defense Corps, NSCDC, posted as part of the security detail at the Nnamdi Azikiwe Stadium, at Enugu, got into a fight with fellow officers. The surprising fracas took place at the venue of the Southeast rally of the Peoples Democratic Party, (PDP.)

The man who 'disappeared' in Nigeria

A man who live-tweeted from the scene of an attempted jailbreak in the Nigerian capital Abuja 12 days ago, has disappeared. Activists believe he may have been arrested, and have launched a Twitter campaign for his release. The hashtag #FreeCiaxon and the Twitter handle @ciaxon have been trending in Nigeria since late on Wednesday. There's also a lot of discussion about it on Facebook. On 30 March, the man who runs the @ciaxon account found himself at the scene of a dramatic fight between Nigerian

National Conference Ends Debate On President’s Speech

Insecurity, corruption, women's right and the rights of minorities took the centre-stage on Thursday as delegates to the 2014 National Conference rounded off debate and comments on President Goodluck Jonathan's inaugural speech at the Conference. Also mentioned and debated was the call for the reintroduction of the on-shore and off-shore oil dichotomy which would deprived certain oil producing states of any revenue from oil exploration and exploitation carried out off-shore. However, Nsongurua Udombana, a professor of international law from Akwa Ibom State, shot down the suggestion on the grounds that no internationa

Wednesday, 9 April 2014

Love IndeedAustralian Man Weds His Dog

This is surely the end of times as an Australian man, Joseph Guiso, surprised his family and friends when he decided to tie the knot with his dog, Honey,

Oh No He Didn't!Kanye West Blasts Kim Kardashian's Exes In New Song It's obvious Kanye is madly in love with his 'trophy wife'. Damn all her famous exes!

Rappers Future and Kanye West are telling the world that their fiancées are their most treasured 'trophies'. Their new song together,

Sad NewsBarack Obama Loses Aunt To Cancer The US president's aunt died in a rehabilitation center after battling with cancer for many years.

President Barack Obama is bereaved. He's lost his 61 year old aunt Zeituni Oyango to cancer. The woman died yesterday at a rehabilitation hospital in Boston after battling with cancer and respiratory ailments for months. Her Immigration lawyer, Margaret Wong told the Boston Herald that her client had been ill since January but didn't accept defeat, "She's been ill for quite some time. She didn't like people to know, because she is so strong," Wong said, according to the Herald. "I don’t think she accepted she was dying. She just kept thinking she needs to go on." According to the paper, the late Zeituni had also been fighting deportation after it was revealed she was undocumented, four days before the historic 2008 election. According to an internal report obtained by The Huffington Post, an official leaked the information of her deportation hoax because it was "interesting," "newsworthy" and because "the American public [had] a right to know." In December 2009, Onyango told the Associated Press she was troubled over being a political liability to Obama and didn't want her issue to complicate the president's administration. Aww! How sweet of her. May her soul Rest In Peace.

Tuesday, 8 April 2014

EAGLES:1-1 GOOD OMEN-KALU

While Nigerians cry over Eagles 1-1 showing in their game with Burkina Faso,former Abia state governor Dr. Orji Uzor Kalu Tuesday appealed for calm insisting that it was not bad afterall. Kalu put up a strong defence."Those of us who follow Eagles' Nations Cup record are not having sleepless nights.Being forced to a 1-1 draw is no death sentence.It first came at Ethiopia'76 against Guinea.Muda Lawal

EAGLES:1-1 GOOD OMEN-KALU

While Nigerians cry over Eagles 1-1 showing in their game with Burkina Faso,former Abia state governor Dr. Orji Uzor Kalu Tuesday appealed for calm insisting that it was not bad afterall. Kalu put up a strong defence."Those of us who follow Eagles' Nations Cup record are not having sleepless nights.Being forced to a 1-1 draw is no death sentence.It first came at Ethiopia'76 against Guinea.Muda Lawal had scored the opener in the 52nd minute.In the dying minutes,Papa Camara made it 1-1.Two years later in Ghana,Segun Odegbami stunned hosts Ghana with an opening goal.At the end,the Black Stars escaped with an equaliser.Then came Sam Okwaraji's bullet against

OPINION: NO! TO RETURN OF PRODIGAL SON

For as long as we can remember, power, money, and greed have corrupted our elected government officials at every level. What's alarming and frustrating is that the blatant corruption running rampant in Abuja and the state capitals is being tolerated by Nigerian people. The victory of Ayo Fayose the disgraced ex-governor of Ekiti State in the recently concluded PDP

If Jonathan Is Not Good, Who Is?

Political opposition is to democracy what spices are to food. Sadly, opposition politics in Nigeria has been characterised by deep parochial sentiments, thereby making it difficult for several decent minded people to embrace the opposition. Apart from the fact that most of the leaders in the opposition performed poorly while they were in government only some few years back, their language is mostly dirty and unexpected of persons that desire to lead others. There is a big difference between political opposition and the ventilation of anger, frustration, and hate. At the beginning,

Attacks on Okonjo-Iweala unfair —Arewa youths leader

Mr Ade Samuel, Deputy National President Arewa Youth Forum, AYF, in this interview, spoke on the state of the economy and other national issues, including the lingering face-off between the Minister of Finance and Coordinating Minister of the Economy Dr. Ngozi Okonjo-Iweala and the House of Representatives. Okonjo-Iweala-budgetDO you think that recent attacks on the Minister of Finance and Coordinating Minister for the Economy, Dr Ngozi Okonjo-Iweala are justified?

Monday, 7 April 2014

Daniel Ademinokan Writes A letter to his 6years Old Son

Daniel Ademinokan who is alleged to be Stella Damascus new husband and who Doris Simon's ex-husband, daniel and doris had a son together while they were still married...the goodnews is that their little boy David turned six yesterday and he got a beautiful open letter from his dad. Read the letter below: Dear David,

Everton Too Good For Sorry Arsenal

Everton took a step closer to fulfilling Roberto Martinez's pre-season promise of Champions League football as they swept past Arsenal to move a point behind the fourth-placed Gunners. Martinez's team produced a devastating display of attacking force, Steven Naismith opening the scoring by tucking in a 14th-minute opener after Romelu Lukaku's shot was saved. Belgium striker Lukaku then fired in his 14th goal of an impressive season after another fine sweeping move, and compatriot Kevin Mirallas forced Mikel Arteta into an own goal after the hour mark to complete the scoring. Everton's front four, which included early substitute Ross Barkley, purred throughout and

African Football Has Improved Significantly

Last week coach Rodolfo Zapata was invited by the Argentine Soccer Coaches Association to be guest speakers at their Annual Soccer Coaching Academy in Buenos Aires city. Over 250 new coaches attended the Coaches Academy with the goal to improve their coaching technique for soccer skills and develop a healthy, positive attitude, teamwork, and good sportsmanship. Rodolfo Zapata encouraged the aspiring coaches to develop a plan that allows the players in their programs to express themselves, their talents and their freedom. 'Everyone sees soccer in a different way, and it's important to allow the athlete to express themselves. You can teach technique and you can increase fitness and endurance, but you can't teach the decision,' coach "Rolo" Zapata said. In his message to the coaches, Zapata expressed the importance of finding athletes who wanted to put in the work to get better and are not afraid of what it takes to win. 'My main goal is to find players that can find the answer to win the game', he said. The coaches at the academy were interested in what major characteristics coaches look for in potential players. Zapata said he looks for two things: he likes athletes with technique, and skills. Also Rodolfo spoke about his experiences in Africa and United States. He agreed they like the direction that soccer is taking in the US and attribute much of its growth to organizations like United States Youth Soccer Association. "In Africa there is a greater breadth of talent than ever before, and that success isn't restricted to the usual five or six nations. The quality of football played in the continent has improved significantly.' Zapata said.

Saturday, 5 April 2014

Slavery and the origins of racism

IT IS commonly assumed that racism is as old as human society itself. As long as human beings have been around, the argument goes, they have always hated or feared people of a different nation or skin color. In other words, racism is just part of human nature. Representative John L. Dawson, a member of Congress after the Civil War, insisted that racial prejudice was “implanted by Providence for wise purposes.” Senator James Doolittle of Wisconsin, a contemporary of Dawson’s, claimed that an “instinct of our nature” impelled us to sort people into racial categories and to recognize the natural supremacy of whites when compared to people with darker skins.1 More than a century later, Richard Herrnstein and Charles Murray produced The Bell Curve, an 800-page statistics-laden tome that purported to prove innate racial differences in intelligence. Today’s racists might don the mantel of science to justify their prejudices, but they are no less crude or mistaken then their 19th century forebears. If racism is part of human nature, then socialists have a real challenge on their hands. If racism is hard-wired into human biology, then we should despair of workers ever overcoming the divisions between them to fight for a socialist society free of racial inequality. Fortunately, racism isn’t part of human nature. The best evidence for this assertion is the fact that racism has not always existed. Racism is a particular form of oppression. It stems from discrimination against a group of people based on the idea that some inherited characteristic, such as skin color, makes them inferior to their oppressors. Yet the concepts of “race” and “racism” are modern inventions. They arose and became part of the dominant ideology of society in the context of the African slave trade at the dawn of capitalism in the 1500s and 1600s. Although it is a commonplace for academics and opponents of socialism to claim that Karl Marx ignored racism, Marx in fact described the processes that created modern racism. His explanation of the rise of capitalism placed the African slave trade, the European extermination of indigenous people in the Americas, and colonialism at its heart. In Capital, Marx writes: The discovery of gold and silver in America, the extirpation, enslavement, and entombment in mines of the indigenous population of the continent, the beginnings of the conquest and plunder of India, and the conversion of Africa into a preserve for the commercial hunting of black skins are all things that characterize the dawn of the era of capitalist production.2 Marx connected his explanation of the role of the slave trade in the rise of capitalism to the social relations that produced racism against Africans. In Wage Labor and Capital, written twelve years before the American Civil War, he explains: What is a Negro slave? A man of the black race. The one explanation is as good as the other. A Negro is a Negro. He only becomes a slave in certain relations. A cotton spinning jenny is a machine for spinning cotton. It only becomes capital in certain relations. Torn away from these conditions, it is as little capital as gold by itself is money, or as sugar is the price of sugar.3 In this passage, Marx shows no prejudice to Blacks (“a man of the black race,” “a Negro is a Negro”), but he mocks society’s equation of “Black” and “slave” (“one explanation is as good as another”). He shows how the economic and social relations of emerging capitalism thrust Blacks into slavery (“he only becomes a slave in certain relations”), which produce the dominant ideology that equates being African with being a slave. These fragments of Marx’s writing give us a good start in understanding the Marxist explanation of the origins of racism. As the Trinidadian historian of slavery Eric Williams put it: “Slavery was not born of racism: rather, racism was the consequence of slavery.”4 And, one should add, the consequence of modern slavery at the dawn of capitalism. While slavery existed as an economic system for thousands of years before the conquest of America, racism as we understand it today did not exist. From time immemorial? The classical empires of Greece and Rome were based on slave labor. But ancient slavery was not viewed in racial terms. Slaves were most often captives in wars or conquered peoples. If we understand white people as originating in what is today Europe, then most slaves in ancient Greece and Rome were white. Roman law made slaves the property of their owners, while maintaining a “formal lack of interest in the slave’s ethnic or racial provenance.” Over the years, slave manumission produced a mixed population of slave and free in Roman-ruled areas in which all came to be seen as “Romans.”5 The Greeks drew a sharper line between Greeks and “barbarians,” those subject to slavery. Again, this was not viewed in racial or ethnic terms, as the socialist historian of the Haitian Revolution, C.L.R. James, explained: [H]istorically it is pretty well proved now that the ancient Greeks and Romans knew nothing about race. They had another standard—civilized and barbarian—and you could have white skin and be a barbarian and you could be black and civilized.6 More importantly, encounters in the ancient world between the Mediterranean world and black Africans did not produce an upsurge of racism against Africans. In Before Color Prejudice, Howard University classics professor Frank Snowden documented innumerable accounts of interaction between the Greco-Roman and Egyptian civilizations and the Kush, Nubian, and Ethiopian kingdoms of Africa. He found substantial evidence of integration of black Africans in the occupational hierarchies of the ancient Mediterranean empires and Black-white intermarriage. Black and mixed race gods appeared in Mediterranean art, and at least one Roman emperor, Septimius Severus, was an African. Snowden concluded: There is little doubt that many blacks were physically assimilated into the predominantly white population of the Mediterranean world, in which there were no institutional barriers or social pressures against black-white unions. In antiquity, then, black-white sexual relations were never the cause of great emotional crisesÖ.The ancient pattern, similar in some respects to the Mahgrebian and the Latin American attitude toward racial mixture, probably contributed to the absence of a pronounced color prejudice in antiquity.7 Between the 10th and 16th centuries, the chief source of slaves in Western Europe was Eastern Europe. In fact, the word “slave” comes from the word “Slav,” the people of Eastern Europe. In the Middle Ages, most people sold into slavery in Europe came from Eastern Europe, the Slavic countries. In Eastern Europe, Russia stood out as the major area where slaveholders and slaves were of the same ethnicity. Of course, by modern-day racial descriptions the Slavs and Russian slaves were white.8 This outline doesn’t mean to suggest a “pre-capitalist” Golden Age of racial tolerance, least of all in the slave societies of antiquity. Empires viewed themselves as centers of the universe and looked on foreigners as inferiors. Ancient Greece and Rome fought wars of conquest against peoples they presumed to be less advanced. Religious scholars interpreted the Hebrew Bible’s “curse of Ham” from the story of Noah to condemn Africans to slavery. Cultural and religious associations of the color white with light and angels and the color black with darkness and evil persisted. But none of these cultural or ideological factors explain the rise of New World slavery or the “modern” notions of racism that developed from it. The African slave trade The slave trade lasted for a little more than 400 years, from the midñ1400s when the Portuguese made their first voyages down the African coast, to the abolition of slavery in Brazil in 1888. Slave traders took as many as 12 million Africans by force to work on the plantations in South America, the Caribbean, and North America. About 13 percent of slaves (1.5 million) died during the Middle Passage—the trip by boat from Africa to the New World. The African slave trade—involving African slave merchants, European slavers, and New World planters in the traffic in human cargo—represented the greatest forced population transfer ever.9 The charge that Africans “sold their own people” into slavery has become a standard canard against “politically correct” history that condemns the European role in the African slave trade.10 The first encounters of the Spanish, Portuguese, and later the English with African kingdoms revolved around trade in goods. Only after the Europeans established New World plantations requiring huge labor gangs did the slave trade begin. African kings and chiefs did indeed sell into slavery captives in wars or members of other communities. Sometimes they concluded alliances with Europeans to support them in wars, with captives from their enemies being handed over to the Europeans as booty. The demands of the plantation economies pushed “demand” for slaves. Supply did not create its own demand. In any event, it remains unseemly to attempt to absolve the European slavers by reference to their African partners in crime. As historian Basil Davidson rightly argues about African chiefs’ complicity in the slave trade: “In this they were no less ëmoral’ than the Europeans who had instigated the trade and bought the captives.”11 Onboard, Africans were restricted in their movements so that they wouldn’t combine to mutiny on the ship. In many slave ships, slaves were chained down, stacked like firewood with less than a foot between them, as this account describes: The space was so low and they sat between each other’s legs, and stowed so close together, that there was no possibility of lying down, or at all changing their position, by night or by day. As they belonged to, and were shipped on account of different individuals, they were all branded like sheep, with their owners’ marks of different forms.12 On the plantations, slaves were subjected to a regimen of 18-hour workdays. All members of slave families were set to work. Since the New World tobacco and sugar plantations operated nearly like factories, men, women and children were assigned tasks from the fields to the processing mills. Slaves were denied any rights. Throughout the colonies in the Caribbean to North America, laws were passed establishing a variety of common practices: Slaves were forbidden to carry weapons, they could marry only with the owner’s permission, and their families could be broken up. They were forbidden to own property. Masters allowed slaves to cultivate vegetables and chickens so the master wouldn’t have to attend to their food needs. But they were forbidden even to sell for profit the products of their own gardens. Some colonies encouraged religious instruction among slaves, but all of them made clear that a slave’s conversion to Christianity didn’t change their status as slaves. Other colonies discouraged religious instruction, especially when it became clear to the planters that church meetings were one of the chief ways that slaves planned conspiracies and revolts. It goes without saying that slaves had no political or civil rights, with no right to an education, no right to serve on juries, no right to vote, or to run for public office. The planters instituted barbaric regimes of repression to prevent any slave revolts. Slave catchers using tracker dogs would hunt down any slaves who tried to escape the plantation. The penalties for any form of slave resistance were extreme and deadly. One description of the penalties slaves faced in Barbados reports that rebellious slaves would be punished by “nailing them down on the ground with crooked sticks on every Limb, and then applying the Fire by degrees from Feet and Hands, burning them gradually up to the Head, whereby their pains are extravagant.” Barbados planters could claim a reimbursement from the government of 25 pounds per slave executed.13 The African slave trade helped to shape a wide variety of societies from modern Argentina to Canada. These differed in their use of slaves, the harshness of the regime imposed on slaves, and the degree of mixing of the races that custom and law permitted. But none of these became as virulently racist—insisting on racial separation and a strict color bar—as the English North American colonies that became the United States.14 Unfree labor in the North American colonies Notwithstanding the horrible conditions African slaves endured, it is important to underscore that when European powers began carving up the New World between them, African slaves were not part of their calculations. When we think of slavery today, we think of it primarily from the point of view of its relationship to racism. But planters in the 17th and 18th centuries looked at it primarily as a means to produce profits for them. Slavery was a method of organizing labor to produce sugar, tobacco, and cotton. It was not, first and foremost, a system for producing white supremacy. How did slavery in the U.S. (and the rest of the New World) become the breeding ground for racism? For much of the first century of colonization in what became the United States, the majority of slaves and other “unfree laborers” were white. The term “unfree” draws the distinction between slavery and servitude and “free wage labor” that is the norm in capitalism. One of the historic gains of capitalism for workers is that workers are “free” to sell their ability to labor to whatever employer will give them the best deal. Of course, this kind of freedom is limited at best. Unless they are independently wealthy, workers aren’t free to decide not to work. They’re free to work or starve. Once they do work, they can quit one employer and go to work for another. But the hallmark of systems like slavery and indentured servitude was that slaves or servants were “bound over” to a particular employer for a period of time or for life in the case of slaves. The decision to work for another master wasn’t the slave’s or the servant’s. It was the master’s, who could sell slaves for money or other commodities like livestock, lumber, or machinery. The North American colonies started predominantly as private business enterprises in the early 1600s. Unlike the Spanish, whose conquests of Mexico and Peru in the 1500s produced fabulous gold and silver riches for Spain, settlers in places like the colonies that became Maryland, Rhode Island, and Virginia made money through agriculture. In addition to sheer survival, the settlers’ chief aim was to obtain a labor force that could produce the large amounts of indigo, tobacco, sugar, and other crops that would be sold back to England. From 1607, when Jamestown was founded in Virginia to about 1685, the primary source of agricultural labor in English North America came from white indentured servants. The colonists first attempted to press the indigenous population into labor. But the Indians refused to be become servants to the English. Indians resisted being forced to work, and they escaped into the surrounding area, which, after all, they knew far better than the English. One after another, the English colonies turned to a policy of driving out the Indians. They then turned to white servants. Indentured servants were predominantly young white men—usually English or Irish—who were required to work for a planter master for some fixed term of four to seven years. They received room and board on the plantation but no pay. And they could not quit and work for another planter. They had to serve their term, after which they might be able to acquire some land and to start a farm for themselves. They became servants in several ways. Some were prisoners, convicted of petty crimes in Britain, or convicted of being troublemakers in Britain’s first colony, Ireland. Many were kidnapped off the streets of Liverpool or Manchester and put on ships to the New World. Some voluntarily became servants, hoping to start farms after they fulfilled their obligations to their masters.15 For most of the 1600s, the planters tried to get by with a predominantly white, but multiracial workforce. But as the 17th century wore on, colonial leaders became increasingly frustrated with white servant labor. For one thing, they faced the problem of constantly having to recruit labor as servants’ terms expired. Second, after servants finished their contracts and decided to set up their farms, they could become competitors to their former masters. And finally, the planters didn’t like the servants’ “insolence.” The midñ1600s were a time of revolution in England, when ideas of individual freedom were challenging the old hierarchies based on royalty. The colonial planters tended to be royalists, but their servants tended to assert their “rights as Englishmen” to better food, clothing, and time off. Most laborers in the colonies supported the servants. As the century progressed, the costs of servant labor increased. Planters started to petition the colonial boards and assemblies to allow the large-scale importation of African slaves. Black slaves worked on plantations in small numbers throughout the 1600s. But until the end of the 1600s, it cost planters more to buy slaves than to buy white servants. Blacks lived in the colonies in a variety of statuses—some were free, some were slaves, some were servants. The law in Virginia didn’t establish the condition of lifetime, perpetual slavery or even recognize African servants as a group different from white servants until 1661. Blacks could serve on juries, own property, and exercise other rights. Northampton County, Virginia, recognized interracial marriages and, in one case, assigned a free Black couple to act as foster parents for an abandoned white child. There were even a few examples of Black freemen who owned white servants. Free Blacks in North Carolina had voting rights.16 In the 1600s, the Chesapeake society of eastern Virginia had a multiracial character: There is persuasive evidence dating from the 1620s through the 1680s that there were those of European descent in the Chesapeake who were prepared to identify and cooperate with people of African descent. These affinities were forged in the world of plantation work. On many plantations Europeans and West Africans labored side by side in the tobacco fields, performing exactly the same types and amounts of work; they lived and ate together in shared housing; they socialized together; and sometimes they slept together.17 A white servants’ ditty of the time said, “We and the Negroes both alike did fare/Of work and food we had equal share.” The planters’ economic calculations played a part in the colonies’ decision to move towards full-scale slave labor. By the end of the 17th century, the price of white indentured servants outstripped the price of African slaves. A planter could buy an African slave for life for the same price that he could purchase a white servant for ten years. As Eric Williams explained: Here, then, is the origin of Negro slavery. The reason was economic, not racial; it had to do not with the color of the laborer, but the cheapness of the labor.Ö[The planter] would have gone to the moon, if necessary, for labor. Africa was nearer than the moon, nearer too than the more populous countries of India and China. But their turn would soon come.18 Planters’ fear of a multiracial uprising also pushed them towards racial slavery. Because a rigid racial division of labor didn’t exist in the 17th century colonies, many conspiracies involving Black slaves, servants, and white indentured servants were hatched and foiled. We know about them today because of court proceedings that punished the runaways after their capture. As historians T.H. Breen and Stephen Innes point out, “These casesÖreveal only extreme actions, desperate attempts to escape, but for every group of runaways who came before the courts there were doubtless many more poor whites and blacks who cooperated in smaller, less daring ways on the plantation.”19 The largest of these conspiracies developed into Bacon’s Rebellion, an uprising that threw terror into the hearts of the Virginia Tidewater planters in 1676. Several hundred farmers, servants, and slaves initiated a protest to press the colonial government to seize Indian land for distribution. The conflict spilled over into demands for tax relief and resentment of the Jamestown establishment. Planter Nathaniel Bacon helped organize an army of whites and Blacks that sacked Jamestown and forced the governor to flee. The rebel army held out for eight months before the Crown managed to defeat and disarm it.20 Bacon’s Rebellion was a turning point. After it ended, the Tidewater planters moved in two directions: first, they offered concessions to the white freemen, lifting taxes and extending to them the vote; and second, they moved to full-scale racial slavery. Fifteen years earlier, the Burgesses had recognized the condition of slavery for life and placed Africans in a different category as white servants. But the law had practical effect. “Until slavery became systematic, there was no need for a systematic slave code. And slavery could not become systematic so long as an African slave for life cost twice as much as an English servant for a five-year term,” wrote historian Barbara Jeanne Fields.21 Both of those circumstances changed in the immediate aftermath of Bacon’s Rebellion. In the entire 17th century, the planters imported about 20,000 African slaves. The majority of them were brought to North American colonies in the 24 years after Bacon’s Rebellion. In 1664, the Maryland legislature passed a law determining who would be considered slaves on the basis of the condition of their father—whether their father was slave or free. It soon became clear, however, that establishing paternity was difficult, but that establishing who was a person’s mother was definite. So the planters changed the law to establish slave status on the basis of the mother’s condition. Now white slaveholders who fathered children by slave women would be guaranteed their offspring as slaves. And the law included penalties for “free” women who slept with slaves. But what’s most interesting about this law is that it doesn’t really speak in racial terms. It attempts to preserve the property rights of slaveholders and establish barriers between slave and free which were to become hardened into racial divisions over the next few years. Taking the Maryland law as an example, Fields made this important point: Historians can actually observe colonial Americans in the act of preparing the ground for race without foreknowledge of what would later arise on the foundation they were laying.Ö [T]he purpose of the experiment is clear: to prevent the erosion of slaveowners’ property rights that would result if the offspring of free white women impregnated by slave men were entitled to freedom. The language of the preamble to the law makes clear that the point was not yet race.Ö Race does not explain the law. Rather, the law shows society in the act of inventing race.22 After establishing that African slaves would cultivate major cash crops of the North American colonies, the planters then moved to establish the institutions and ideas that would uphold white supremacy. Most unfree labor became Black labor. Laws and ideas intended to underscore the subhuman status of Black people—in a word, the ideology of racism and white supremacy—emerged full-blown over the next generation. “All men are created equal” ›ithin a few decades, the ideology of white supremacy was fully developed. Some of the greatest minds of the day—such as Scottish philosopher David Hume and Thomas Jefferson, the man who wrote the Declaration of Independence‹wrote treatises alleging Black inferiority. The ideology of white supremacy based on the natural inferiority of Blacks, even allegations that Blacks were subhuman, strengthened throughout the 18th century. This was the way that the leading intellectual figures of the time reconciled the ideals of the 1776 American Revolution with slavery. The American Revolution of 1776 and later the French Revolution of 1789 popularized the ideas of liberty and the rights of all human beings. The Declaration of Independence asserts that “all menèare created equal” and possess certain “unalienable rights”—rights that can’t be taken away‹of “life, liberty, and the pursuit of happiness.” As the first major bourgeois revolution, the American Revolution sought to establish the rights of the new capitalist class against the old feudal monarchy. It started with the resentment of the American merchant class that wanted to break free from British restrictions on its trading partners. But its challenge to British tyranny also gave expression to a whole range of ideas that expanded the concept of “liberty” from being just about trade to include ideas of human rights, democracy, and civil liberties. It legitimized an assault on slavery as an offense to liberty, so that some of the leading American revolutionaries, such as Thomas Paine and Benjamin Franklin, endorsed abolition. Slaves and free Blacks also pointed to the ideals of the revolution to call for getting rid of slavery. But because the revolution aimed to establish the rule of capital in America, and because a lot of capitalists and planters made a lot of money from slavery, the revolution compromised with slavery. The Declaration initially contained a condemnation of King George for allowing the slave trade, but Jefferson dropped it following protests from representatives from Georgia and the Carolinas. How could the founding fathers of the U.S.—most of whom owned slaves themselves—reconcile the ideals of liberty for which they were fighting with the existence of a system that represented the exact negation of liberty? The ideology of white supremacy fit the bill. We know today that “all men” didn’t include women, Indians, or most Blacks. But to rule Black slaves out of the blessings of liberty, the leading head-fixers of the time argued that Blacks weren’t really “men,” they were a lower order of being. Jefferson’s Notes from Virginia, meant to be a scientific catalog of the flora and fauna of Virginia, uses arguments that anticipate the “scientific racism” of the 1800s and 1900s. With few exceptions, no major institution—such as the universities, the churches, or the newspapers of the time—raised criticisms of white supremacy or of slavery. In fact, they helped pioneer religious and academic justifications for slavery and Black inferiority. As C.L.R. James put it, “[T]he conception of dividing people by race begins with the slave trade. This thing was so shocking, so opposed to all the conceptions of society which religion and philosophers hadÖthat the only justification by which humanity could face it was to divide people into races and decide that the Africans were an inferior race.”23 White supremacy wasn’t only used to justify slavery. It was also used to keep in line the two-thirds of Southern whites who weren’t slaveholders. Unlike the French colony of St. Domingue or the British colony of Barbados, where Blacks vastly outnumbered whites, Blacks represented a minority in the slave South. A tiny minority of slave-holding whites, who controlled the governments and economies of the Deep South states, ruled over a population that was roughly two-thirds white farmers and workers and one-third Black slaves. The slaveholders’ ideology of racism and white supremacy helped to divide the working population, tying poor whites to the slaveholders. Slavery afforded poor white farmers what Fields called a “social space” whereby they preserved an illusory “independence” based on debt and subsistence farming while the rich planters continued to dominate Southern politics and society. “A caste system as well as a form of labor,” historian James M. McPherson wrote, “slavery elevated all whites to the ruling caste and thereby reduced the potential for class conflict.”24 The great abolitionist Frederick Douglass understood this dynamic: The hostility between the whites and blacks of the South is easily explained. It has its root and sap in the relation of slavery, and was incited on both sides by the poor whites and the blacks by putting enmity between them. They divided both to conquer each.Ö[Slaveholders denounced emancipation as] tending to put the white working man on an equality with Blacks, and by this means, they succeed in drawing off the minds of the poor whites from the real fact, that by the rich slave-master, they are already regarded as but a single remove from equality with the slave.25 Slavery and capitalism Slavery in the colonies helped produce a boom in the 18th century economy that provided the launching pad for the industrial revolution in Europe. From the start, colonial slavery and capitalism were linked. While it is not correct to say that slavery created capitalism, it is correct to say that slavery provided one of the chief sources for the initial accumulations of wealth that helped to propel capitalism forward in Europe and North America. Throughout the 1700s, what was called the “triangular trade” developed between the colonies, European mother countries (in this case England), and the West African coast. Ships carrying slave-produced sugar, indigo, tobacco, or rice departed the colonies to England, where they were exchanged for manufactured goods. Ships carrying manufactured goods, fabrics, guns, and other finished products traveled from England to Africa where their cargoes were traded for slaves. Then the ships carrying slaves sailed to the colonies, where they were sold for a cargo of colonial produce to be taken back to England—and to start the circuit all over again. By 1750, hardly any trading town in the colonies or in England stood outside the triangular trade. The profits that were squeezed out of the triangular trade formed that capital that led to the boom that made Britain the first major capitalist power. The triangular trade stimulated the development of whole new industries in England—rum distillation, sugar refining, cotton manufacturing, and metallurgy (for producing guns and shackles). The profits from these industries, as well as from slave trading itself, helped underwrite some of the biggest names in British capitalism. Two slave traders, David and Alexander Barclay, used their profits to establish Barclay’s Bank. Lloyds of London started as a coffee import house dependent on the slave trade. It later became one of the biggest insurance conglomerates in the world. The well-known sugar-refining corporation Tate & Lyle, made its first profits from slavery. Profits from the slave trade also helped finance James Watts’ invention of the steam engine.26 The clearest example of the connection between plantation slavery and the rise of industrial capitalism was the connection between the cotton South, Britain and, to a lesser extent, the Northern industrial states. Here we can see the direct link between slavery in the U.S. and the development of the most advanced capitalist production methods in the world. Cotton textiles accounted for 75 percent of British industrial employment in 1840, and, at its height, three-fourths of that cotton came from the slave plantations of the Deep South. And Northern ships and ports transported the cotton. To meet the boom in the 1840s and 1850s, the planters became even more vicious. On the one hand, they tried to expand slavery into the West and Central America. The fight over the extension of slavery into the territories eventually precipitated the Civil War in 1861. On the other hand, they drove slaves harder—selling more cotton to buy more slaves just to keep up. On the eve of the Civil War, the South was petitioning to lift the ban on the importation of slaves that had existed officially since 1808. Marx clearly understood the connection between plantation slavery in the cotton South and the development of capitalism in England. He wrote in Capital: While the cotton industry introduced child-slavery into England, in the United States it gave the impulse for the transformation of the more or less patriarchal slavery into a system of commercial exploitation. In fact, the veiled slavery of the wage-laborers in Europe needed the unqualified slavery of the New World as its pedestal.ÖCapital comes dripping from head to toe, from every pore, with blood and dirt.27 Racism after slavery The close connection between slavery and capitalism, and thus, between racism and capitalism, gives the lie to those who insist that slavery would have just died out. In fact, the South was more dependent on slavery right before the Civil War than it was 50 or 100 years earlier. Slavery lasted as long as it did because it was profitable. And it was profitable to the richest and most “well-bred” people in the world. Slave production was inefficient from the point of view of industrial capitalism. The comparison between the industrial North and the Confederacy illustrates this. As capitalism developed it had less need to use slave labor. In Britain in the 18th and 19th centuries, for instance, representatives of some the biggest industrial capitalists called for an end to the slave trade and even abolition. This wasn’t because industrial capitalists opposed slavery on principle, but because they didn’t like the degree to which planters won government policies favorable to them. In 1807 and 1833, the British Parliament passed laws outlawing slavery.28 In the United States, the Civil War abolished slavery and struck a great blow to racism. But racism itself wasn’t abolished. On the contrary, just as racism was created to justify colonial slavery, racism as an ideology was refashioned. It now no longer justified the enslavement of Blacks, but it justified second-class status for Blacks as wage laborers and sharecroppers. Racist ideology was also refashioned to justify imperialist conquest at the turn of the last century. As a handful of competing world powers vied to carve up the globe into colonial preserves for cheap raw materials and labor, racism served as a convenient justification. The vast majority of the world’s people were now portrayed as inferior races, incapable of determining their own future. Slavery disappeared, but racism remained as a means to justify the enslavement of millions of people by the U.S., various European powers, and later Japan. Racism also remained one of the main ways that the ruling class used to keep Blacks and white workers divided. Karl Marx remarked on a similar division between English and Irish workers in Britain, comparing it to the division between Blacks and poor whites in the U.S.: Every industrial and commercial center in England now possesses a working class divided into two hostile camps, English proletarians and Irish proletarians. The ordinary English worker hates the Irish worker as a competitor who lowers his standard of life. In relation to the Irish worker he feels himself a member of the ruling nation and so turns himself into a tool of the aristocrats and capitalists of his country against Ireland, thus strengthening their domination over himself. He cherishes religious, social and national prejudices against the Irish worker. His attitude toward him is much the same as that of the “poor whites” to the “niggers” in the former slave states of the U.S.A. This antagonism is artificially kept alive and intensified by the press, the pulpit, the comic papers, in short, by all the means at the disposal of the ruling classes. This antagonism is the secret of the impotence of the English working class, despite its organization.29 In his famous passage on the antagonism between English and Irish workers in Britain in the end of the 19th century, Marx outlined the main sources of racism under modem capitalism. By its nature, capitalism fosters competition between workers. Bosses take advantage of this in two ways: first, to deliberately stoke divisions between workers; second, to appeal to racist ideology. ›apitalism forces workers to compete for jobs, for affordable housing, for admittance to schools, for credit, etc. When capitalism restructures, it replaces workers with machines and higher-paid workers with lower-paid workers. Throughout the late 19th and early 20th centuries, U.S. bosses used the surplus of cheap labor immigration provided to substitute unskilled workers for skilled (generally white, native workers), “triggering a nativist reaction among craft workers.”30 Today, restructuring in U.S. industry makes many U.S. workers open to nationalist appeals to “protect their jobs” against low-wage competition from Mexico. Bosses seek to leverage this competition to their advantage. “Keep a variety of laborers, that is different nationalities, and thus prevent any concerted action in case of strikes, for there are few, if any, cases of Laps, Chinese, and Portuguese entering into a strike as a unit,” advised Hawaiian plantation managers in the early 1900s.31 Here was a fairly stark example of the bosses’ conscious use of racism to divide the workforce. Today, bosses continue to do the same, as when they hire nonwhite strikebreakers against a strike of predominantly white workers. And politicians never stand above playing “the race card” if it suits them. ›acism serves the bosses’ interests and bosses foster racism consciously, but these points do not explain why workers can accept racist explanations for their conditions. The competition between workers that is an inherent feature of capitalism can be played out as competition (or perceived competition) between workers of different racial groups. Because it seems to correspond with some aspect of reality, racism thus can become part of white workers’ “common sense.” This last point is important because it explains the persistence of racist ideas. Because racism is woven right into the fabric of capitalism, new forms of racism arose with changes in capitalism. As the U.S. economy expanded and underpinned U.S. imperial expansion, imperialist racism—which asserted that the U.S. had a right to dominate other peoples, such as Mexicans and Filipinos—developed. As the U.S. economy grew and sucked in millions of immigrant laborers, anti-immigrant racism developed. But these are both different forms of the same ideology—of white supremacy and division of the world into “superior” and “inferior” races—that had their origins in slavery. What does this discussion mean for us today? First, racism is not part of some unchanging human nature. It was literally invented. And so it can be torn down. Second, despite the overwhelming ideological hold of white supremacy, people always resisted it—from the slaves themselves to white anti-racists. Understanding racism in this way informs the strategy that we use to combat racism. Antiracist education is essential, but it is not enough. Because it treats racism only as a question of “bad ideas” it does not address the underlying material conditions that give rise to the acceptance of racism among large sections of workers.32›Thoroughly undermining the hold of racism on large sections of workers requires three conditions: first, a broader class fightback that unites workers across racial lines; second, attacking the conditions (bad jobs, housing, education, etc.) that give rise to the appeal of racism among large sections of workers; and third, the conscious intervention of antiracists to oppose racism in all its manifestations and to win support for interracial class solidarity. The hold of racism breaks down when the class struggle against the bosses forces workers to seek solidarity across racial lines. Socialists believe that such class unity is possible because white workers have an objective interest in fighting racism. Theðinfluence of racism on white workers is a question of their consciousness, not a question of some material bribe from the system they receive. Struggle creates conditions by which racism can be challenged and defeated. Racism and capitalism have been intertwined since the beginning of capitalism. You can’t have capitalism without racism. Therefore, the final triumph over racism will only come when we abolish the source of racism—capitalism—and build a new socialist society.

Friday, 4 April 2014

Good parental value is key to transformation –Zack Orji

There is a consensus that Nigeria is at a crossroad. Nigerians, and non-Nigerians alike, agree that the country is a far cry from what it should be. They say the country is in coma and needs a shot in the arm to rouse it to take its rightful place. But veteran actor, Zack Amaefula Orjioke, popularly called Zack Orji, believes that all hope is not lost for Nigeria. He says

Rush For Jonathan's 'Daughter's' Wedding Empties Confab Hall

The rush by delegates to attend the marriage ceremony of a daughter of President Goodluck Jonathan raised unease among some delegates who frowned that conferees abandoned national issues for socializing. About half of the delegates abandoned proceedings Thursday to enable them travel to attend the wedding coming up, Saturday, March 5, 2014 in Bayelsa State. When the conference chairman, Justice Idris Kutigi called for contributions to the debate of the President's speech, many of the delegates were not around as their seats were empty. The immediate past Minister of Education, Prof. Ruqayyatu Ahmed Rufai (Jigawa) and former Head of Service, Engr. Ebele Okeke were among those who took permission to speak ahead of their scheduled slots to enable them go ahead for the ceremony. Their requests were, however, granted by Justice Kutigi. Some of the delegates, however, expressed concern over development, as they argued that those delegates failed to realise the importance of the national conference because they were not expected to trivialise a state call for a wedding ceremony. Mr Ebuchukwu Ezike, representing the Civil Liberties Organisation, CLO noted that Nigerians were watching and expecting positive reports from the conference, just as he said it was unfortunate that delegates were not taking it seriously. He warned that if serious action was not taken, it may jeopardise the success of the conference, adding, 'if delegates continue like this, Nigerians would not take the conference serious. Delegates have the option of turning the nomination down ab initio if it would affect their personal business or political activities, but it was clear that the money attracted some of the delegates. Now they realised that the amount publicised was not what they were being given, they have become disinterested in the whole exercise.'

APC Splits In Lagos Ahead Of Saturday Congress…

*ANPP, CPC, APGA leaders direct members to boycott congress Barely 24 hours to the ward congresses of All Progressives Congress (APC), slated for Saturday, April 5, a faction of the party has emerged in Lagos State, southwest Nigeria. It is led by the Chairman of the defunct Congress for Progressives Change (CPC), Chief Ajibade Emiabata. Speaking at its new Secretariat on Ade-Onitimirin Street, Surulere, Lagos, Emiabata alleged that he and other Chairmen of the defunct political parties (ANPP, APGA) that formed the merger were completely sidelined during the APC's Stakeholders' Forum held at party's Secretariat, Acme road, Ikeja, on Wednesday. An aggrieved Emiabata said that during the Forum that lasted for hours, there was no special recognition of the other parties in the merger as the whole process was dominated by the defunct ACN leaders, describing the process as undemocratic. 'We are not going to leave the party for them', said the factional APC Chairman, stressing that, 'We are still members of the party. We're going nowhere because we're part of the merger. The fact that you're majority doesn't mean you shouldn't recognise us. We're not asking for equal right, but we want to be recognised.' Emiabata called on his members across the state to boycott the forthcoming Congress, which starts on Saturday, April 5 and ends with National Convention on Saturday, May 24, 2014, until there is harmonization or template on the merger. 'We are not bothered whether it's going to be effective or not, we are making a statement, no harmonization, no congress', he added. 'Since Saturday, May 11, 2013, the Lagos State CPC along with other states in the Federation met at the National Convention and considered the motion to merge with other political parties namely, Action Congress of Nigeria (ACN), All Nigerian Peoples Party (ANPP) and adopted the name All Progressives Congress (APC) as a common party. 'Thereafter, interim National Executive was put in place at Abuja where it was agreed to have a state harmonization Committee across the federation which was constituted by all Legacy parties but in Lagos State, the committee was never inaugurated by the officer saddled with the responsibility, Otunba Niyi Adebayo, who conspired with the leadership of defunct ACN in Lagos State not to carry it out. 'Sadly, our case in Lagos State is terribly different. The party structures of defunct ACN led by Otunba Oladele Ajomale not only reconvened in the name of APC but operates solely and take decisions independently of the other legacy parties especially the defunct CPC on behalf of APC in Lagos State. 'This unfortunate incident nearly marred the party membership Registration Exercise but the State Leadership of the CPC calmed the storm in order to ensure the success of the merger that produced APC with passion. 'I hereby direct all leaders, officers and members of the defunct CPC in APC to submit themselves only to my authority as the Chairman of APC in Lagos, and affirm the total dis-association of Lagos APC from Otunba Oladele Ajomale's unilaterally organized ward Congresses for Saturday 5th of April, 2014 across 376 wards of Lagos State. 'Finally, I call on all party members to remain calm, steadfast, and continue with their normal party business and to await further directives and developments,' he declared. Speaking on the development, the interim Assistant Publicity Secretary of the party, Chief Funsho Ologunde said that the party is not aware of its faction nor opening a new office anywhere in the state. He however said that the leadership of the ACN is aware that some people were aggrieved and has explained to them and encouraged them to participate in the ward congress. 'We are not aware of any faction of the party anywhere in Lagos or opening a new secretariat, but we are aware some members are not happy. Some people are afraid of participating in congress because of the fear of not winning an election. Nobody is going to sit down at home and win an election, therefore, everybody is going to participate in the congress. 'There is not going to be an anointed candidate. What the party is frowning at is that some people cannot stay away from the congress and claims to be anointed. So the leadership of the party has called on those that are aggrieved, explained to them and encouraged them to participate in the ward congress,' he said.

Thursday, 3 April 2014

TOP 20 Celebrities to Reckon with

Omotola J. Ekehinde ,Genevieve Nnaji, Uche jombo, Funke Akindele, Monalis chinda, Rita dominic, Kate henshaw, Toke makinwa, Toolz, Mercy Aigbe ,Damilola adegbite, Ini Edo, Agbani darego, Oluchi Orlandi, Niyola, Tiwa savage, Linda Ejiafor, Emem isiong, Chidinma, Mercy Johnson. These list comprises of our beautiful adored celebs,we have seen them in movies,red carpet and around town when they are off cameras. These list will list is judged base on their style on every thing,from red carpet to their day2day activities. No doubt these ladies are cool and super cool but the thing is we don't look on their error cos they're our biggest fan/Diva and we all love them. So here I go,A go to start with is our top popular diva and Enemy. #Lol. Omotola J.Ekehinde
Most acclaimed omosexy,100 most influential people in the world,tall,curvy and yes after 4kids,and holding up that body,kudos. She has been on and on,seen all looking beautiful and sexy. Dress hang well on her. But the thing is this I have issues with her make up,knowing fully well she play save in most of her choice of cloths @event most times and she ends up luking like a grandma who wanna feel among at all cost. Someone should please get accross to her make-up stylist,not to maker her too boring and old. Like it or not,Omosexy is a force to reckon with in the fashion scene. Kudos. Genevieve Nnaji
Julia robert of Africa. Yes,Top act,beautiful,sexy and fit. God knows where she got that body. She's hot and I must say I love her style and carriage. You so rock genny! But can you do something more with your hair? Something more fun and funky. You're alomsot getting us bored. And we all too love you genny,please,don't dull. No doubt you're fashionista and rock. Tiwa savage.
The singing star,one of the best they say" hey! Do you know she can act? I mean,Good acting. #watch shuga4# Your hair to dress is so on point - just will love you to do more with your make up. Watching EMINADO video seems you can be more than your dolly kinda look. Take risks and let's see. You're not alone. U rocck girl and I love u from my corner. Uche jombo
Uche is what I call from grass to grace,I mean she has changed from her tomboy like to a more sophisticated classy babe Mrs. She's a definition of a tru fashionista,she has tried and dare and conquered the world of cinema and fashion. Uche,you rock and wish u the very best. Keep moving. Funke Akindele.
took a thorough look at her,most time she isn't realy the loud type but one thing is she will never disappoint you on red carpet,best accessories I've seen on heris her "Smile". But as much as I hate to say this,funke,you can do more than that. Sometimes you get us bored and wonder#what is she wearing sef# u rock o! We love you and you're definitly Roles model#In JENIFA's Voice# Mercry Aigbe
Hmmmmnnn#Sighs# Over the years,mercy has turnd from Razz to tush fashionista,I swear! She killd the moment and draw attention @events,believe it,only if you want to hate on her, she was voted best dress actress AMVA award. She deserves it. My message to her is,please and please be more of yourself,don't be a wanabe like some will do and close more of your teeth when you're smiling. You rock. Rita Dominic
Ok! I am speechless,Y? Cos at her age she's still so on point. You know what,let give it to her. Rita you rock! Keep shining. Kate Henshaw.
She'e beautiful in her 40s. Ok,kate,aint constant when it comes to fashion,let's be real here,get it straight sis and show us what you God. Let's see more of God works on you. Afterall been said,you still rock! And you're the best. The rest of our fashionistas aint doin bad.. Our message is to get them on their feet. They have people looking on them,in many ways.fashion,act,any carrier. Is your favorite act there or not? Drop their name and we'll tell you what you dunno abt them.. Let's see.

History of Nigerian literature

The beginning of Nigerian Literature In the beginning was oral literature, the root of African literature. Nigerian literature, in particular, began with the oral tradition, pioneered by the unsung heroes of her literary past, like royal bards, warriors, story tellers, priests and many others. Literary elements like folklore and proverbs were originated by these unknown literary soldiers. According to Bade Ajuwon in his article, ‘Oral and Written Literature in Nigeria’, in Nigerian History and Culture, pre-literate Nigeria once enjoyed a verbal art civilization which, at its high point, was warmly patronised by traditional rulers and the general public. “At a period when writing was unknown, the oral medium served the people as a bank for the preservation of their ancient experiences and beliefs. Much of the evidence that related to the past of Nigeria, therefore, could be found in oral traditions.” He cited the instance of Yoruba community where “as a means of relaxation, farmers gather their children and sit under the moon for tale-telling... that instruct the young and teach them to respect the dictates of their custom”. This was the practice across the cultural groupings that form Nigeria today. A literary work must, therefore, derive from these basic traditional elements to be adjudged as African literature. Nigeria, therefore, owes her present giant strides in the international literary scene to her rich oral tradition. Advent of written literature in the North The written tradition was introduced to Northern Nigeria in the 15th century by Arab scholars and traders. The intellectual and religious interaction between them and the indigenous community led to the adaptation of Hausa into Arabic script; a genre known as Ajami. The subsequent arrival of missionaries in the 1930s with the Roman script further enhanced the written tradition and gave rise to the emergence of many indigenous poets and prose writers. The novels in particular were based on folktales featuring fantastic characters of humans, animals and fairies. According to available records, the earliest literature in Hausa written in Arabic and Ajami, were by Islamic scholars such as Abdullahi Suka who wrote Riwayar Annabi Musa in Ajami, and Wali Danmasani Abdulajalil who wrote the Hausa poem Wakir Yakin Badar also in Ajami. The works of these pioneers marked a literary landmark, which came to its height in the nineteenth century when the Islamic Jihadist, Shehu Usman Dan Fodio, wrote hundreds of poems in Arabic, Fulfulde and Hausa. The Hausa novel genres in Roman script were published from the winning entries of a writing competition in the 1930s. The works, which have become classics, include Shehu Umar by Abubakar Tafawa Balewa, Ruwan Bagaja by Abubakar Imam, Gandoki by Bello Kagara, Idon Matambayi by Mohammadu Gwarzo and Jiki Magayi by M. Tafida and Dr. East. In terms of plays, the Six Hausa Plays edited by Dr. R. M. East and published in 1930 were the first plays in Hausa. It consists of three plays; Kidan Ruwa, Yawon Magi and Kalankuwa. Advent of written literature in the South Sounthern Nigeria owes its literary legacy to missionary activities in the area around 1840s which went hand in hand with inculcation of literacy. The need to translate the bible for the new converts necessitated a number of publications by the missionaries. Prominent among such publications were, A Grammar of the Ibo Language (1840) by the pioneer missionary, Rev. J.F. Schon and A Vocabulary of the Yoruba Language (1843) by Samuel Ajayi Crowther, an ex-slave and the first African Bishop of the Niger Diocese of the Church Missionary Society. Such publications eventually served not only the primary religious purpose but also as a sound foundation for the written indigenous literature, in which folklores and other genres of oral tradition were recorded and woven into poetry, short stories and novels, especially in the Igbo and Yoruba languages. From fantasy to realism With the growth in literary awareness resulting from western education, the literary tradition shifted from folktales to realism. The shift was galvanised by literary scholars at the University College of Ibadan in 1948. They effected the movement through calls at conferences, in journals and newspapers. The movement was earlier propelled when the Ministry of Education sponsored a novel writing competition in 1963. The major criterion was that the entries must centre on the prevailing realities in Nigeria then. Yoruba writers, in particular, according to Bade Ajuwon, reacted appropriately, eliminating the fairies in favour of human characters and omitting the animal-to-human conversation found in the non-realistic literature. “Thus a new literary tradition was being adopted by many Yoruba novelists; they dealt with such universal themes as religion, labour, corruption and justice; they employed human characters and concrete symbols.” However, this did not mean that the folklore elements were completely eliminated. Rather, it was a kind of mixed grill. For instance, Chinua Achebe’s first novel, Things Fall Apart, published in 1958, has Igbo folklore, thereby preserving the African elements despite the English prose. According to the Ghanaian poet, Kofi Awonoor, Igbo proverbs “are intricately woven into the fabric of his style, completely absorbed to the extent that they constitute one of the most significant features of his totally African-derived English style”. Other glaring example is Wole Soyinka’s poetry in the collection A Shuttle in the Crypt, which is loaded with elements of older Nigerian literature. According to Bade Ajuwon both ‘O Roots!’ and ‘When Seasons Change’ in the collection, dwell upon the images of ancestral generations and the souls of ancient Nigerians, reflective of the purpose of the oral literature of keeping family and local histories alive. Therefore, though Soyinka’s poetry in A Shuttle in the Crypt, like the other works of his contemporaries, encompass “many themes and techniques of modernists, it equally reverberates with the Nigerian oral and written literary traditions. Nigerian literature in the indigenous languages According to literary scholars like Emenyonu, authentic Nigerian literature is that which is written in the indigenous languages. In Emenyonu’s words; “It is important for any reader of fiction in Nigeria to realise that no matter how much the author denies or disguises it, every Nigerian who writes fiction in English today has his foundation in the oral heritage of his ethnic group…. An authentic study of Nigerian literature must, therefore, begin by examining and appreciating the origins and development of literatures in Nigerian indigenous languages.” Another scholar, Obianjulu Wali, even went as far as defining African literature, in the early 1960s, as the literature written in the indigenous languages of Africa as opposed to English, French or Portuguese. This is perhaps why writers like Ngugi Wa Thiongo attempted abandoning English in favour of their indigenous languages. But these writers, Ngugi in particular, has reversed to writing in English due to the fact that, as another literary critic, Jeyifo, put it, literature in indigenous language is “limited to a handful of the indigenous languages”. In spite of the limited readership, however, indigenous literature has thrived with relative success especially in Hausa, Yoruba and Igbo languages till today. After the earliest literature in Hausa written in Arabic and Ajami by Islamic scholars such as Abdullahi Suka and Wali Danmasani Abdulajalil, Hausa literature has continued to flourish. Written Igbo literature, which is equally as illustrious as the Hausa literature, is of much younger origin than either Hausa or Yoruba literatures. So also is Igbo indigenous literature. The first novel in Igbo, Omenuko, was published in 1933 by Pita Nwana. It was followed by other works in 1960s such as Ije Odumodu by Leopold Bell-Gam and Ala Bingo by D.N. Achara. According to Emenyonu, Igbo literature attained her maturity with the works of Uchenna Tony Ubesie, the leading novelist in Igbo language. The works include Ukwa Ruo Oge Ya Odaa, Isi Akwu Dara Nala, Ukpana Okpoko Buuru and Juo Obinna. Literary scholars are unanimous on the view that Yoruba literature attained its maturity in the first three decades of the twentieth century. According to Isola, Yoruba became a written language in 1842. Poetry written in Yoruba has a far longer origin than Yoruba literature in the other genres. The earliest poetry, written in the form of religious hymns, was published in a collection by Henry Townsend in 1848. “Moses Lijadu published Kekere Iwe Orin Aribiloso in 1886. He followed this with the publication of Awon Arofo Orin ti Sobo Arobiodu ati ti Oyesile Keribo both performed in the arungbe poetic form of the Oro Cult of the Egba,” wrote Isola. In terms of drama, the Yoruba have a very vibrant theatre and drama tradition that dates back to the pre-colonial Alarinjo Agbegijo performers and other cultic/ritualistic theatres, according to Adedeji. It is no wonder therefore that the best of plays even in English today are produced mainly from that cultural background. Novel writing in Yoruba also has a pride of place in the Nigerian indigenous literature. Isaac B. Thomas’ Itan Emi Segilola Eleyinjuege, Elegberun oko laiye, the first novel in Yoruba, was published as far back as 1930. On this novel, Isola wrote, “Thomas’ socially relevant, realistic novel, first serialised in 1929 in Akede Omo, was not the first attempt at novelistic writing in Yoruba. But his novel was the first that exhibited features of the modern novel.” Thomas’ efforts set the pace for other literary works especially by Daniel Olurunfemi Fagunwa, who is said to be the best known Yoruba novelist. His Ogboju Ode Ninu Igbo Irunmale (1938), according to Isola, is arguably the most popular literary work in Yoruba. The novel has been translated into English by Wole Soyinka as The Forest of a Thousand Daemons (1968). Fagunwa’s novels, centred mainly around a lone heroic figure, did not only inaugurate the magical-realist tradition in Yoruba novelistic writing, but ultimately serve as inspiration to a generation of Yoruba novelists including Ogundele’s Ejigbede Lona Isalu Orun (1956), Delano’s Aiye D’aiye Oyinbo (1955), Afolabi Olabimtan’s Kekere Ekun and Adebayo Faleti’s Omo Olokun Esin. The first literature in English by a Nigerian There is no doubt about the fact that Nigerian literature in English is the one which attracts greater attention and has the greater influence nationally and internationally today. This is because, according to O. Ogunba, the literature has been produced by the new westernised elite who often have greater literary competence in English than in their indigenous languages. Ogunba further observed that “although some highly literate Nigerians (for example Professor Akin Isola) have chosen to write in their indigenous languages rather than English, the number of writers who have made such a choice is very small indeed”. It could therefore be said that literature in the English language has taken firm root in Nigeria. However, even before the written literature began to take root on the Nigerian soil, a Nigerian had made a literary breakthrough in far away Europe. The Nigerian, Olaudah Equiano, who was an ex-slave, became one of the first Africans to produce an English-language literary work. Published in 1789 and titled The Interesting Narrative of the Life of Olaudah Equiano, or Gustava, the African, it is an autobiography containing how the author was kidnapped as a boy of 12 from his village of Essaka near Benin and sold to a white slave trader, and how he eventually obtained his freedom. The book was the first to give the West the true picture of Africa and the evils of slavery. Equiano travelled throughout England promoting the book and spent over eight months in Ireland where he made several speeches on the evils of the slave trade. While he was there he sold over 1,900 copies of the autobiography. The book became an instant best-seller, running into its ninth edition by the time of the author’s death in 1797. It was published in Germany (1790), America (1791) and Holland (1791). The First English-language literature in Nigeria The real indigenous literature in English was pioneered by the legendary Amos Tutuola in the 1950s. His debut, The Palm-Wine Drinkard, published by Faber in London (1952), kind of served as a monumental link in the transition to the Western literary tradition. In the story, Tutuola crafted a unique narrative from traditional elements of Yoruba mythology. Though his dropping out of school in primary five as a result of the death of his father affected his proficiency in the English language, the seeming shortcoming became a plus when critics began to see the uniqueness of the manner in which he captured the way English is spoken by the ordinary people in his community. His other works include My Life in the Bush of Ghosts (1952), Simbi and the Satyr of the Dark Jungle (1955), The Brave African Huntress (1958), Feather Woman of the Jungle (1962), Ajaiyi and his Inherited Poverty (1968), and The Witch Herbalist of the Remote Town (1981). Born in Abeokuta in 1920 by Christian parents who were cocoa farmers, he began attending the Anglican Central School in his home town at the age of 12. After his formal education, which lasted only for five years, he went to Lagos to train as a blacksmith in 1939, and from 1942 to 1945 he practised the trade for the Royal Air Force in Nigeria. After this he worked as a messenger for the Department of Labour in Lagos, then as a storekeeper for Radio Nigeria in Ibadan. Before his death in June 1997, he was a visiting fellow of the Obafemi Awolowo University, Ife - an honour that confirmed his international recognition. A literary view of Nigeria by British writers British imperialists who worked in Nigeria and thought they knew much about the colony produced literary works based on the local setting. One of such writers was Arthur Joyce Lunel Carey (1888—1957), who served as an administrator and soldier in Nigeria from 1910 to 1920. His works, particularly the novel, Mister Johnson (1939), were about his experiences in the British civil service and his views on the African culture. The novel, described as comic and tragic, is centred on Johnson, a young Nigerian who falls foul of the British colonial regime. Johnson is assigned as a clerk at an English district office in Fada. Because he is from a different district he is regarded as a foreigner by the natives of the area. Even though he works his way into the local society, marrying there, he never really fit in. Worse still, he has difficulties in adjusting to the regulations and mechanism of the district office and his official duties. Cary had on several occasions been quoted as saying that Mister Johnson was his favourite of all his books. But critics have questioned the views expressed in the book. Chinua Achebe was in the forefront. He pointed out that the depiction of Johnson as representative of Africans is flawed from the very outset, in the sense that such a character, a figure without a family to support him, is very difficult to imagine in the context of Nigerian society. And so, as Achebe himself admitted, the novel was the motivating factor for his novel, Things Fall Apart, as he sought to correct the wrong impression portrayed in Mister Johnson. He said in a collection of radio interviews published by Heinamann in 1972: “I know around 1951, 1952, I was quite certain that I was going to try my hand at writing, and one of the things that set me thinking was Joyce Cary’s novel, set in Nigeria, Mister Johnson, which was praised so much, and it was clear to me that it was a most superficial picture of - not only of the country - but even of the Nigerian character, and so I thought if this was famous, then perhaps someone ought to look at this from the inside.” So he set out to challenge the colonialist’s depiction of the African society in Things Fall Apart and his other novels. The emergence of Chinua Achebe and his contemporaries The emergence of Chinua Achebe and his contemporaries in the 1940s/60s marked a milestone in the Nigerian literary history. The most outstanding writers of this era were Wole Soyinka, Gabriel Okara, T.M. Aluko , Christopher Okigbo, John Pepper Clark and Cyprian Ekwensi. Generally referred to as the first generation writers, this crop of writers gave African literature focus and direction. They addressed basic African problems like colonialism, neo-colonialism and propagated African values to the outside world. They sought to correct the misrepresentation of Nigerians and Africans in literary works like Joyce Cary’s Mister Johnson and African Witch, Rider Haggard’s She, King Solomon’s Mines and Allan Quartermain, and Joseph Conrad’s Heart of Darkness. For instance, as against the African society of Mister Johnson, portrayed as uncivilized, simple and corrupt, the Igbo society of Things Fall Apart is shown as having grown from a long tradition of careful decision-making and a well arranged system of religious, social and political beliefs. Speaking on the political values of this literary generation, M.J.C. Echeruo, observed that “it was in Achebe and his generation that the political agitation (and) the philosophical speculations of 1940s bore their first fruit, long before the actual independence in 1960.” Achebe himself confirmed this when he said, “I had to tell Europe that... Africa had a history, a religion, a civilisation... We reconstructed this history and civilisation and displayed it to challenge the stereotype and cliché.” Explaining the combative posture adopted by the writers of this era even after the departure of colonialists, Achebe said, “Europe conceded independence to us and we promptly began to misuse it... So we got mad at them and came out brandishing novels of disenchantment.” At this point the writers became more concerned with the issues of governance and corruption among the indigenous politicians that took over from the colonial masters. This period witnessed the publication of critical works like No Longer at Ease and A Man of the People by Chinua Achebe, The Interpreters, Kongi’s Harvest, Madmen and Specialists, A Dance of the Forest and Season of Anomy by Wole Soyinka, Casualties, Song of a Goat and The Raft by J.P. Clark-Bekederemo, and Path of Thunder by Christopher Okigbo. African Writers Series The emergence of the African Writers Series by Heinemann in 1962 really helped to boost the Nigerian and indeed African writings of the Achebe era. According to Odimegwu Onwumere, a poet and media consultant, the series has been a vehicle for some of the most important African writers, ensuring an international voice to literary masters including Chinua Achebe, Ngugi wa Thiong’o, Steve Biko, Ama Ata Aidoo, Nadine Gordimer, Buchi Emecheta and Okot p’Bitek. “It provided a forum for many post independence African writers, and provided texts with which many African universities could begin to redress the colonial bias then prominent in the teaching of literature,” Onwumere wrote. The works in the series include novels, short stories, poetry, biographical writings and essays from across Africa. The brain behind the series was the Heinemann executive, Alan Hill, and the first editor of the series was Chinua Achebe, who focused first on West African writers, and soon branched out, publishing the works of Ngugi wa Thiong’o in East Africa, and Nadine Gordimer in South Africa. By the time Achebe left the editorship in 1972, over 40 writers from 19 different countries had been published in the series. According to records, apart from the editors, James Currey anchored as the editorial director of the label from 1967 to 1984, and during his tenure, the series released over 250 titles by authors from more than twenty-five African countries. In spite of the obvious advantages of the series, it also had some shortcomings. According to Onwumere, many African authors saw the series as part of the colonial masters’ strategy of exploiting the relics left of Africa. Consequently, many of the authors did not want the label, AWS, to publish their works; they wanted African publishers as against the neo-colonial publishers. The genesis of this contentious relationship between the AWS publishers and the African authors ranged from advance/royalty payments to editorial recommendations. This was why perhaps, Wole Soyinka, for a time, resisted having his novel, The Interpreters appear in AWS; though he said it was for fear of being confined to the ‘orange ghetto’ defined by the recognizable colour scheme of AWS volumes. The contention could also be the reason for Ayi Kwei Armah’s hope “to find an African publisher as opposed to a neo-colonial writers’ coffle owned by Europeans but slyly misnamed African.” But the factor that really led to the steady decline of the series seems to border more on economy than authors-publishers relationship. In Onwumere’s words, “After a fairly prosperous beginning, the series faced [the economic] difficulties that mirrored those which faced the continent as a whole. By the mid-1980s, only one or two new titles a year were being published, and much of the back catalogue had fallen out of print.” However, from the early 1990s, Heinemann has been making attempts at reviving the series by publishing new works, texts originally published in local release and translated works. So, in conclusion, while there are all sorts of ways to critique what the AWS turned out to be, in the words of Aeron Bady, “it is absolutely unquestionable that Alan Hill’s establishment of an “African Writers Series” for Heinemann was the most important and most influential publishing infrastructure through which ‘African literature’ was first developed...” The civil war literature The issue that became a major concern to the Nigerian writers in the sixties and seventies, apart from the multiplying societal ills, was the Nigerian Civil War which took place between 1967 and 1970. The war, which is said to have claimed the lives of over 100,000 soldiers, affected the Nigerian literary scene in many ways. It claimed the life of one of the country’s most celebrated poets, Christopher Okigbo, and caused untold hardship to other writers like Wole Soyinka, who were detained for crying out against the atrocities perpetrated in the war. The bright side of the ugly incident, however, is that the war provided inspiration for many writers, particularly those directly involved. These writers poured out their frustration, anger and memories in considerable quantities and qualities. For instance, Elechi Amadi wrote a powerful novel, Sunset in Biafra (1973), depicting his war-time experience. Other testimonies to the madness of the era were Soyinka’s The Man Died (1972), Chukuemeka Ike’s Sunset at Dawn (1976), Ken SaroWiwa’s Sozaboy (1985), Flora Nwapa’s Never Again (1976) and Chimamanda Ngozi Adichie’s Half of a Yellow Sun (2007). A legacy of protest Rather than abating, the evils against which the first generation writers preached multiplied by the day, generating poverty and diseases. So the critical tone and themes of the literature of the first generation writers were sustained and amplified by writers of the subsequent generations who emerged from the mid 1970s. As Dr. Ahmed Yerima, the General Manager of National Arts Theatre, Iganmu, rightly observed, Nigerian literature manifests the struggles of a people whose country is undergoing the painful process of transformation from colonial through neo-colonial to wholly self-determining nation. So, the second generation writers reacted to the bloody civil war, immediately followed by an ill-managed oil boom that, in turn, created social and political dislocations that the nation is yet to overcome. The second generation writers, according to Aiyejina, “wrote socially-relevant, highly critical (some of them with a Marxist-proletarian bent) literature in highly accessible, people-oriented language”. Prominent among such writers are Ola Rotimi, Femi Osofisan, (playwrights); Niyi Osundare, Odia Ofeimun, Tanure Ojaide (poets) and Festus Iyayi, Eddie Iroh, Zaynab Alkali, Labo Yari and Abubakar Gimba (novelists). A typical example of the protest works of this era is Iyayi’s novel, Violence (1979), which portrays violence not only as a physical phenomenon, but as a circumstance in which a man is denied the opportunity of being the real man he is supposed to be. Femi Osofisan’s Kolera Kolel (1975), Niyi Osundare’s Songs of the Marketplace (1983), Labo Yari’s Climate of Corruption (1978), Abubakar Gimba’s Innocent Victims (1988) and Chris Abani’s Masters of the Board (1985). Though the question of categorising authors into generations has remained contentious among critics, it is popularly believed that the mid 1990s to the present is the era of the third generation writers who grew and started writing in the period of the structural and economic disjunctions that characterised military rule. According to Onwumere, “the pressures exerted by the seemingly unending crises in various sectors of the economy: labour and electoral crises, mass unemployment, decayed infrastructures and constant closure of schools and lecturers’ strikes; police and military brutality - all of these constitute the themes of the writings of this generation of writers”. Onwumere further explained that unlike the works of the earlier generations, there is a lot of experimentation, both thematic and stylistic, in much of the present writings. Prominent the writers are Akin Adesokan (Roots in the Sky), Maik Nwosu (Invisible Chapters), Helon Habila (Waiting for An Angel and Measuring Time), Chimamanda Ngozi-Adichie (Purple Hibiscus and Half of a Yellow Sun), Sefi Attah (Everything Good Will Come and Swallow), Adimora-Akachi Ezeigbo (House of Symbols), Biyi-Bandele (The Sympathetic Undertaker and Other Dreams, The Man Who Came in From the Back of Beyond, Burma Boy), Akeem Lasisi (Iremoje: Ritual Poetry for Ken Saro-Wiwa), Toyin Adewale-Gabriel (Naked Testimonies), Lola Soneyin-Soyinka, (All the While I was Sitting on An Egg), Ogaga Ifowodo (Mandela and Oil Lamp), Remi-Raji (Web of Remembrance, and A Harvest of Laughters), Ahmed Yerima (Hard Ground, Yemoja, etc), Ben Tomoloju (Jankariwo and Askari), Tess Onwueme (The Reign of Wazobia), Ben Okri (The Famished Road, Star Book, etc), Emman Shehu (Questions for Big Brother), Sumaila Umaisha (Hoodlums), Ahmed Maiwada (Saint of a Woman, Fossil, Musdoki, etc), Mu’azu Maiwada (State of the Anus), BM Dzukogi (These Last Tears) and others. And they all speak with the same angry voice. Female writings All along, Nigerian women were not left out of the literary scene. They made tremendous contributions to the country’s literary development in all the literary genres. It all began with Flora Nwapa, the first published Nigerian female novelist and the first woman in Africa to have her work published in London. Her first novel, Efuru (1966), redefines the place of the woman in the scheme of things. And that set the tone not only for her subsequent works but for those of other female writers like Mabel Segun, Flora Nwapa and Phebean Ogundipe. In the 1970s other female writers came up. They include Zulu Sofola, Catherine Acholonu, Adaora Lily Ulasi, Buchi Emecheta and Zaynab Alkali. Zaynab is the first female writer in English to emerge from the North. She made her debut in 1984 with her novel, The Stillborn. This was followed by The Virtuous Woman (novel, 1985) and Cobwebs (short stories, 1977). Her two novels produced in the 2000s are The Descendants and The Initiates. The new generation female writers have arguably gained more visibility than the old generation, especially writers like Chimamanda Ngozie Adichie who won the Orange Prize for her Half of a Yellow Sun in 2007. Both the old and the new generation female writers are so dynamic that they explore not just the feminist aspects, they also engage in issues of general concern, such as politics, war and economy. Children's literature The beginning of written Nigerian children’s literature, according to Virginia W. Dike of the Department of Library and Information Science, University of Nigeria, Nsukka, coincided with the attainment of independence in 1960. She observed that though a few titles, like Cyprian Ekwensi’s Drummer Boy and The Passport of Mallam Ilia, were written some years earlier, they were not published until 1960. Dike further observed that the development of children’s literature was motivated by the felt need for a literature that would more adequately reflect indigenous views and realities. “It was also stimulated by the rapid expansion of education and the resulting need and market for supplementary reading materials.” The early titles, which concentrated on supplementary readers for the pre-adolescent age group in senior primary and junior secondary schools, were produced by the African Readers Library of the African Universities Press which, according to Dike, came out with 34 titles between 1962 and 1988. Other series that came up later were the Nelson Rapid Readers (1965), Longman’s Palm Library for Younger Readers (1968), Oxford University Press’ Adventures in Africa (1968) and Evans Africa Library (1976). New indigenous publishing houses, like Onibonoje, also produced titles for children. Development in children’s literature was boosted particularly in the 1970s and 1980s when Macmillan’s Winners Series brought out its first title in 1978, followed by others, such as the University Press Limited’s Rainbow Series. These early works, according to Dike, were mainly based on adventure stories in which the hero or heroes, especially boys, fell into danger and helped bring criminals to book. Examples are Achebe’s Chike and the River, and Ekwensi’s Juju Rock. Some had school stories as their subject-matter, with the young hero succeeding in gaining admission into school (eg, Eze Goes to School, by Nzekwu and Crowder) and boarding school children playing their usual pranks (eg, Tales out of School by Nwankwo). It should be noted that women writers like Christee Ajayi, Remi Adediji, Teresa Meniro and Mabel Segun played a prominent role in the promotion of children’s literature in Nigeria. Each of them produced over 10 books in this genre. It was indeed an exciting time for children’s literature as it was for adult literature. According to Fayose, who compiled a bibliography of children’s books published in Nigeria since 1960 for the Nigerian Book Development Council, by 1986 there were over three hundred titles, many of which were prose fiction. Unfortunately, the economy, which had been relatively good since the oil boom of the 1970s, declined from the mid-1980s, affecting the production of the genre in the same manner it affected adult literature. Presently, only few publishing houses in Nigeria like the Lantern Books division of Literamed, publish series of fiction for children and youth. Today, such books are mostly published in Britain. They include Heinemann’s Junior African Writers Series (JAWS) and Heartbeat Series, which began in the 1990s. Though the titles are by Africans, including Nigerians, and set in Africa, they are scarcely available to the African and Nigerian youths for which they are intended. Pacesetter series Between the late 1970s and early 1980s Nigerian young writers were given the opportunity to have their works published curtsey Macmillan Publishing Company. Through the company’s young writers’ series, known as Pacesetters, hundreds of youths across Africa were published, with Nigerians forming the largest percentage. The series dealt mostly with contemporary issues that were of interest to young adults. Among the lucky young writers to be published were Mohammed Sule, author of The Undesirable Element (1977) and The Delinquent (1979), Helen Obviagele, who wrote Evbu My Love (1980) and Dickson Ighrini who authored Death is a Woman (1981) and Bloodbath at Lobster Close (1980). Other works in the series include, Kalu Okpi’s Coup!, Sunday Adebomi’s Symphony of Destruction, Ibe Oparandu’s The Wages of Sin, Sam Adewoye’s The Betrayer, and Victor Ulojiofor’s Sweet Revenge. By the early 1990s, there were about 125 Pacesetters titles. And the books were widely available, even in the market bookstalls, which usually sold only textbooks. However, with the economic decline which began around the 80s, Macmillan separated from Macmillan Nigeria, taking with it the Pacesetters copyright. Consequently, the series vanished, and only occasional pirated versions of a few titles could be seen in Nigeria. But, those who were fortunate to have been published have made their marks and some have even gone further to produce more serious works. Among such writers are Mohammed Tukur Garba (author of The Black Temple -1981); and Muhammed Sule, who published Eye of Eternity and The Devil’s Seat, respectively, in the 90s. Onitsha Market Literature In the 1940s to 1960s a vibrant literary genre emerged around the commercial nerve centre of Eastern Nigeria - Onitsha. The first books of this genre appeared precisely in 1947. According to records, there was no conscious effort or structure in the evolution of the genre, popularly known as Onitsha Market Literature. It simply arose when Christianity and colonialism in the 19th century created a crop of educated people from all walks of life who converged on Onitsha town to work, trade or improve themselves educationally at the schools and commerce institutions. Another interesting fact about the genre is that it was more of an attempt to fill a gap as, apart from school texts, the Bible and the occasional books from Britain, there were very few reading materials. The main characteristics of Onitsha Market Literature is that the writers were amateur and of modest educational background (except the likes of Cyprian Ekwensi who were well educated - he was a pharmacist). And the books, which were in form of novels, plays and inspirational materials, tailored towards inculcating how to cope with the daily vicissitudes of living and adjusting from the past to cope with the modern, were more or less pamphlets. But they could be said to be the forerunner of the contemporary Nigerian literature, for the genre held sway for nearly three decades, producing over 200 titles. According to literary critics, it served as an inspiration to the first generation of what could be called serious writers that followed about a decade later. From the business point of view, the genre is said to be boosted by availability of printers. After the Second World War, the Nigerian colonial government decided to upgrade its various equipment and sell off the old ones, particularly the printing presses. Business men, especially in the eastern part of the country, purchased and refurbished the old printing presses and set up printing and publishing businesses. They became editors, arbiters of literary taste. The books were produced in millions and distributed to agents who passed them on to booksellers and itinerant traders. They were made available in bookshops, motor parks and on the streets, and with time the sale expanded to other Nigerian cities and eventually to other English-speaking West African countries. Some of the more prominent authors and their titles include: J. Abiakam, How to Speak to Girls and Win their Love; Cyril Aririguzo, Miss Appolo’s Pride Leads her to be Unmarried; S. Eze, How to know when a Girl Loves You or Hates You; Thomas Iguh, $9000,000,000 Man still says No Money; Highbred Maxwell, Public Opinion on Lovers; Nathan Njoku, Beware of Women and My Seven Daughters are after Young Boys; Marius Nkwoh, Cocktail Ladies and Talking about Love; Joseph Nnadozie, Beware of Harlots and Many Friends; Raphael Obioha, Beauty is a Trouble; Ogali A. Ogali, Veronica My Daughter and No Heaven for the Priest; H.O. Ogu, Rose Only Loved My Money and How a Passenger Collector Posed and got a Lady Teacher in Love; Rufus Okonkwo, Why Boys Never Trust Money Monger Girls; Anthony Okwesa, The Strange Death of Israel Njeanze; Okenwa Olisah, Money Hard to get but Easy to Spend and Drunkards Believe Bar as Heaven; Speedy Eric, Mabel the Sweet Honey that Poured Away; Felix Stephen, Lack of Money is not Lack of Sense, etc. The books were highly patronised, especially by youths. For instance, Ogali A. Ogali’s play, Veronica My Daughter, published in 1956, hit a record sale of 250,000 copies. Unfortunately, the genre did not survive the Nigerian civil war, which ended in 1970. The aftermath of the war brought about a revival of economic priorities, and the genre gradually died. However, some of the authors (like Cyprian Ekwensi, who pioneered the genre in 1947, with When Love Whispers and Ikolo, the Wrestler and other Igbo Tales) eventually became famous writers. Kano Market Literature Subsequently, the history of the Onitsha literary phenomenon repeated itself in the northern part of Nigeria. Commonly known as Kano Market Literature, the genre, written in Hausa language, began in the 1980s. And so far over 1000 novels/novellas have been produced. Writers of this genre, numbering over 300, are spread all over the North, but production and sale of the books are done mainly in Kano. Most popular among the earlier writers of the genre are Balaraba Ramat Yakubu whose eight books include Budurwar Zuciya and Bala Anas Babinlata who authored, among others, Da Ko Jika? According to Professor Abdalla Uba Adamu of Bayero University, Kano, in his unpublished paper (Oct. 5, 2000), love themes make up about 35% of his collection of over 400 books. Other critics like Professor Ibrahim Malumfashi of Usman Danfodio University, Sokoto, however, argued that 40 percent of the works are on love, which is why they are also called Soyayya (love) novels. Dr. Yusuf Adamu of Bayero University, however, asserts that the Soyaya trend in Hausa literature has now been exhausted. “Soyaya is gone. People now mostly write about what I may call family life,” he said, adding that, the writers, who are mostly women, were no longer writing about a boy falling in love with a girl. “They are focussing on what is happening in the home, how women are treated. And there is no name for it because even the Soyayya is a stereotype.” He also insists that the appellation of Kano Market Literature introduced by Professor Malumfashi for the genre was derogatory. According to him, Hausa Popular Literature’ is more appropriate. “What we feel we should call it is Hausa Popular Fiction.” Unlike the Onitsha Market Literature, this genre was heavily characterised by debates among scholars and the writers. According to Dr. Adamu, the ‘soyayya debate’ began in 1991 when Ibrahim Sheme (now editor of Leadership newspaper) introduced a literary column in the Hausa language newspaper, Nasiha, and two articles by Malumfashi appeared, critical of the quality and worth of the emerging genre. The debate has helped to shape the themes and subject-matters of the works so much that some of the writers have graduated from soyayya writing, as Adamu pointed out, to more serious subjects. Consequently, some of them, like Ibrahim Sheme and Balaraba Ramat Yakubu, have won the prestigious literary prize, Karaye Prize for Hausa Literature. Though critics like Malumfashi are of the view that the genre may eventually be phased out by the flourishing Hausa film industry, the fact is that it is currently thriving alongside the industry. Nigeria on the global literary scene In spite of all the numerous problems bedevilling the Nigerian literary scene, it could be said that Nigerian literature has come a long way, considering the teeming number of writers that have emerged and the giant achievements of writers like Chinua Achebe and Wole Soyinka. Achebe’s legendary Things Fall Apart has been translated into about 50 languages globally. Soyinka, on the other hand, has done Africa proud by winning the Nobel Prize in 1986. Nigerian writers of the new generation have equally pushed Nigerian literature to the pinnacle by winning some of the most prestigious literary prizes. Ben Okri won the Booker Prize for his The Famished Road in 1991, Helon Habila, Segun Afolabi and E. C Osondu, won the Caine Prize for their Prison Story, Monday Morning and Waiting, respectively. Chimamanda Ngozi Adichie has, like Habila, won the Commonwealth Prize for Literature. She has as well won the Orange Prize with her novel, Half of a Yellow Sun. Beyond setting international literary standards, Nigerian writers have also succeeded more than any group in the country in exporting our culture and tradition to other parts of the world. This fact was eloquently stressed by the renowned literary critic, Professor Charles E. Nnolim. According to him, “Nigeria today stands tall before the international community because of the collective endeavours of her writers... While our politics and the shenanigans of our business deals often sell the country’s private shames in the international scandal market, it is through the collective endeavours of Nigerian writers that Nigeria stands redeemed and enhanced in the eyes of the world.” Nigerian literature is indeed at its golden age.